mt shasta, creations inspired by the crystal city,telos,lemuria,or?

As I stood at the base of Mount Shasta, gazing at the towering peak that seemed to stretch into the heavens, I could feel the hum of ancient energy coursing through the air. It was as though this sacred mountain was alive, a pulse that resonated with the rhythm of the Earth itself. In the distance, the Shasta Crystal City shimmered, a place known to few but felt by all who could tune into the subtle, powerful frequencies of this land.

Being an artist in this golden age was nothing short of magical. The energy of transformation surrounded me, a cosmic wave sweeping through the collective consciousness, guiding us to build a world that shimmered with beauty, creativity, and spiritual depth. Everywhere I looked, there were hints of this new world forming—communities connected by heart, epic art rising like monuments to the divine, and experiences that awakened the soul.

With each passing day, I felt more inspired. It was as if I had been chosen to be a conduit for this energy, to capture the essence of this golden age and translate it into something tangible. I wandered through the forest at the foot of Mount Shasta, and there, scattered among the roots of ancient trees, I found crystals gleaming in the sunlight—amethyst, rose quartz, and luminous shards of clear quartz. They called to me, whispering their stories, eager to be a part of something greater.

I took these crystals back to my workshop, a sanctuary where the air was thick with creativity, and began crafting. My hands, guided by the same ancient energy I had felt in the Shasta Crystal City, twisted and shaped copper wire around the gems. The copper seemed alive, spiraling into fractal patterns, weaving around the stones like tendrils of energy that reached out into the cosmos. I knew I wasn’t just creating sculptures—I was building portals, gateways to healing, connection, and transformation.

Each piece was a reflection of this golden age, a symbol of the new world we were all creating together. Every gem, every twist of copper, was infused with the vibration of hope, unity, and spiritual awakening. As I worked, I could feel the collective energy of humanity rising, an unstoppable force of creation that was reshaping the world into something epic.

The sculptures I created were not just art—they were living, breathing pieces of magi. They radiated the same frequency as the Shasta Crystal City, carrying the energy of the mountain and the cosmos into people’s lives. Those who held them felt the pulse of the Earth, the call to create, to heal, to evolve.

Being a part of this golden age felt like being in the midst of a cosmic renaissance. Art was everywhere, not just as decoration but as a way of life. It was woven into the fabric of our experiences, a constant reminder of the beauty, depth, and wonder that life had to offer. And I, through my healing gemstone and copper sculptures, was contributing to this global tapestry, helping to shape a world where art and spirit merged into something magnificent.

Every creation was a celebration of this time, this energy, this golden age. And as I stood back, looking at the sculptures glowing with the energy of Mount Shasta, I felt deeply honored to be an artist in this moment—to be a part of building a world that was filled with awesome experiences, profound connections, and epic art everywhere I turned.